4Dwonjung Music-사차원정

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    Noise Between Floors

    Title: Noise Between Floors

    11:10 a.m. First-floor meeting room. He set down two cups of coffee. His movements were a little too precise, as if choreographed. I sat across from him and picked up the cup carefully. The coffee was hot, but it had no scent—like the air in this room.

    “Anything unusual lately?” asked Lawrence, my team lead. He sounded calm, but I could tell he already knew.

    I hesitated. “Is this… about the paper I passed around yesterday?”

    He nodded. “What was your intention?”

    I spoke carefully, but openly. Like laying down bricks, I built the story step by step. I explained how, just before year-end evaluations, the director had commented that our office was too noisy. Then in my one-on-one incentive meeting, I was told my score dropped because I “talk too much.”

    A few days later, after speaking quietly to a colleague, Joseph, another manager, suddenly told me—sternly—to keep it down.

    Was that fair? I wasn’t sure. So I circulated a short, anonymous survey to others who share our office. The responses were clear: I wasn’t disturbing anyone. Some even said I made the atmosphere better.

    It all pointed to one thing:
    “Working near him has been… stifling. I think moving desks might help.”

    Lawrence nodded. “If it’s not about incentives, that’s good. But let’s be real—when you hand someone a paper to fill out, they’re not going to say anything bad.” His tone was sharp, a little cynical.

    I replied, “I told them they didn’t have to fill it out. Only those who wanted to did.”

    Lawrence admitted Joseph had handled things poorly, but said he probably interpreted the director’s comment as a kind of rule—and when that rule was broken, he reacted out of discomfort.

    I said nothing.

    “I don’t think he understands me at all,” I began. “We’ve been in the same office for ten years. Most people eventually get me, but he doesn’t. I think he sees me as less than him.”

    I laid out the details. Once, when his documents went missing, he went through mine without asking. Another time, a vendor submitted the wrong inspection paperwork, and without checking, he blamed me. It wasn’t even my mistake.

    He’s never trusted me. And honestly, I don’t think he ever will.

    Right now, I’m responsible for both production scheduling and quality document compliance. Officially, I’m on the production team, but I report to two managers. I get evaluated—performance and behavior—by both.

    They say it’s a 50/50 split. But really, it feels like being judged twice.

    Lawrence nodded. “I know you’re juggling both roles. We can revisit that later. But for now, it is what it is.”

    “Then,” I said, “all the time I put into scheduling—working late, adjusting shifts—none of that matters when it’s time for evaluation. They only look at the next week’s output reports. I’m the one organizing and managing all the quality paperwork, but if a single signature is missing, I’m the one who gets called out. It’s starting to feel pointless.”

    He tilted his head. “What’s the workload split?”

    “Seventy-thirty. Quality’s seventy.”

    “Then bump production up to fifty.”

    I repeated it silently. I’m already drowning… now I need to take on more?

    Out loud: “How would that help? Even if I do more, the evaluations won’t change.”

    “You shouldn’t be doing less. Always look to do more.”

    I kept my voice calm. “I’ve been working hard on improving my attitude. But it’s like living below a noisy neighbor. No matter how softly I walk, they still complain.”

    Lawrence nodded. “Results matter. And you know, some people are just born a certain way. I’m a pessimist. I think attitude is… innate. It affects how people see you.”

    That froze me.

    Innate.
    Was he implying something’s wrong with me?

    He continued. “It’s not just about noise. There’s bias among the managers. Some like you. Some don’t. Your score reflects that mix. It’s not just one incident.”

    That word—bias—stuck in my head. Who was he talking about?

    “So no matter how hard I work, I’m stuck in the middle because of bias… and something I was born with?”

    “You’ll have to work harder than others,” Lawrence said.

    He then talked at length about his own past. Poor evaluations. No explanation. A new job. A better outcome—eventually. His takeaway: just keep going.

    I stayed quiet.

    “So basically,” I said, “if I’m lucky, someone might eventually see me for who I am?”

    “Yes,” he said. “You never know. Someone might.”

    He brought up Joseph again. “He’s still new as a team leader. There are things he’s missing. I could talk to him, but… maybe it’s better if you handle it yourself.”

    I thought about it. If I confront him, I’ll come off as arrogant. And Lawrence clearly isn’t going to intervene.

    “Should I really be the one to do that?” I asked.

    “Yes,” he said.

    Of course.

    “Even if I talk to him, I doubt he’ll change. Let’s forget about the seat change. If I ask again, people will just think I’m being difficult. I’ll stay where I am. Nothing’s going to change anyway.”

    The meeting ended.

    At lunch, I sat with a few coworkers at a café. Emily, from another department, said something. Apparently, after I left work yesterday, Jennifer, one of the managers, had come by asking about the paper. She sighed, then walked away.

    I told them Lawrence had called me in that morning. We talked for nearly an hour.

    They nodded. Word had already spread. People assumed I passed around the paper because I was angry about incentives. Director Daniel, Jennifer, and Lawrence had apparently been scrambling since yesterday.

    Just then, the café door opened.
    Lawrence, Jennifer, and Director Daniel walked in.

    Their eyes brushed past me.
    Jennifer’s look was cold—like glass.

    I took a sip of coffee.
    Still no scent.
    Maybe it wasn’t the coffee. Maybe it was the air back at the office. Maybe it was something else entirely.

    ※ This story is a work of creative nonfiction, inspired by the author’s personal experience.
    Names, characters, and situations have been fictionalized for narrative clarity.
    Any resemblance to real persons or organizations is purely coincidental and not intended to defame or harm.

    4월 8, 2025
    4dwonjung, ai, ethical dilemma, ethical workplace stories, faith, fiction for burnt-out employees, 사차원정, kafkaesque short story, korean, modern office fiction, noise between floors short story, psychological realist story, quiet dystopia fiction, South Korean short story translation, stories about being unheard, trump, work

  • “The Meow is Calling” MV Behind the Scenes

    After endlessly debating where and how to shoot the “The Meow is Calling” music video, I finally managed to convince some of my dad-friends with the promise of sashimi and sake. We ended up filming everything in a single night.

    We agreed to meet around 11 PM—after each of us had put our sons to bed (yes, we’re all dads!). One by one, everyone gathered at my place, also known as the 4D Cosmic Music Lab

    While waiting for the rest of the crew to arrive, we messed around with a vintage PS2 DrumMania set I bought months ago. It came with toy drums and a toy guitar—classic arcade nostalgia. Unsurprisingly, everyone still had skills from their arcade days.

    That night, I found out our drummer (Seonghoon) actually learned how to play drums through DrumMania. He even hits the hi-hat differently than most people because of it.

    Later, our bassist Sangwook showed up, said “Whoa, what’s this?”, and immediately started playing. Some of the guys had never met before, but since we’re all music nerds, we clicked right away.

    Even as midnight approached, we were just chilling—tired faces, witty banter, and five guys sharing sake and sashimi. Honestly, the food wasn’t enough, but maybe that made it even more delicious. It was insanely good.

    We kept talking and almost skipped the shoot, but somehow we powered through and finished filming. Afterwards, we cracked open some beers, munched on snacks, and kept chatting.

    By the time we said our goodbyes, it was already around 2 AM.

    I ended up passing out on the living room couch while trying to do the dishes.


    The song starts with an unidentifiable reversed tape sound, blending with strange loops I loaded into the Digitakt. I slammed on a clean guitar soaked in spring reverb to kick things off.

    Midway, the song transforms into an instrumental piece featuring an Arabian scale played on the Elektron Digitakt synth. Toward the end, it builds into a fuzzy delay-heavy climax, finishing with whammy pedal noise from the guitar. It’s over 6 minutes long.

    In past live performances, I used to end it there, but when working on the recording, the ending felt a bit flat—so I added some jazz guitar and sampled drums. The result turned out surprisingly avant-garde. Oh, and when I performed this alone two years ago, the song stretched past 8 minutes. I was completely drained by the end. 😅

    Now that the MV is finished, I plan to release the track sometime this year.

    “The Meow is Calling”
    by 4DWonjung

    4월 2, 2025
    4dwonjung, ExperimentalMusic, 고양이소리, 사차원정, meow is calling

  • Kafka’s Metamorphosis Inspired Song – Human Metamorphosis Mantis EP

    Can we maintain our current physical appearance? Actually, our cells are constantly changing. However, these changes happen slowly and gradually, so we don’t easily notice them. The novel “Metamorphosis” by Franz Kafka and the movie “District 9” both show ordinary people undergoing rapid physical transformations, becoming monsters or aliens. The main characters are initially cared for with empathy and concern by their closest family and friends during their transformation, but they end up being cruelly rejected.

    While there may be differences as time passes, we might also experience similar things as we grow older. When we age, get sick, and daily life becomes difficult, is it an unavoidable reality to be abandoned by the people closest to us?

    The songs “No.9” by The Beatles and “Everything is its right place” by Radiohead have ambiguous and repetitive messages that remind us of Ctrl+C and Ctrl+V. I also wanted to create a simple yet modern piece of music. My EP, “Human Metamorphosis​ Mantis,” incorporates these elements in a broader context.

    This song is inspired by Franz Kafka’s novel Metamorphosis. The lyrics reflect the transformation of Gregor Samsa and the alienation he experiences. If you are a fan of Kafka’s work, this song might interest you.” “Human Metamorphosis Mantis (Remix)” is a remixed version of the original track. The original song was created using all the synthesizers I had collected, manually tweaking the knobs from 0 to the maximum to produce sounds that are difficult to achieve with a computer. After finishing the track, I sent it to producer Odohan, a Korean artist and live event producer based in Seoul. He created a remixed version, which has a much stronger rhythm and an intense ending that reminds me of Radiohead’s Paranoid Android. With proper mixing and mastering, the song became even more powerful.

    “The spaceship that appears at the beginning of the video is actually a ventilation fan on the rooftop of a company building. One day, while looking at it, I thought it resembled a UFO. After that, I came up with the overall concept for the music video.”

    2월 5, 2025
    4dwonjung, alien, ExperimentalMusic, franzkafka, IndieMusic, Kafka inspired song#Franz Kafka soundtrack, Kafka Metamorphosis music, KafkaMetamorphosis #HumanMantis, Mantis(Remix), procreate, Rash

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